The miniature displays at MCCM include full houses, room boxes, antique and vintage doll houses and furniture, themed vignettes, contemporary miniatures, seasonal miniatures, and a touch-screen video showing miniature-related videos. Below are some of the makers with their creations, stories behind the displays, and details to entice you to come visit!

Julie Hinkle could swing a mean tennis racket and golf club, but it was her steady hand which created her well-known miniature pottery! Already in her mid-40s with two teenage sons, Julie began attending clay classes at the Roswell Museum and Art Ce…

Julie Hinkle could swing a mean tennis racket and golf club, but it was her steady hand which created her well-known miniature pottery!

Already in her mid-40s with two teenage sons, Julie began attending clay classes at the Roswell Museum and Art Center in the late 1970s under Francie Bergner and Aria Finch. When she discovered her old doll house furniture on a trip back to St. Louis, the Kirkwood, Missouri native became intrigued with miniature pottery. Devising her own way to throw miniature clay objects, vases, bowls and all sorts of pots, POCO POTS was born. “Whatever clay project or firing process the class would be learning, Julie would be doing the same thing in miniature,” remembers Aria. “When the students used horse hairs in a burned line technique, Julie just needed one hair.”

Over the next 25 years Julie took full advantage of her burgeoning skills and talents, attending miniature shows, giving demonstrations, and selling her products internationally. She was a member of the Pecos Valley Potters Guild and the Los Pocos Locos Miniature Club, and frequently won honors in reputable juried shows. She was interviewed for articles and featured on numerous craft magazine covers. Good friend and fellow miniaturist Margie Boles traveled extensively with Julie during these productive years. “We went everywhere from Chicago to New Orleans, from California to Florida,” Margie said chuckling, remembering how the latter excursions took them to both Disneyland and Disneyworld where “Julie would ride everything, whether I would go or not!”

Roswellites will well remember Julie’s Poco Pots booth at the Pecos Valley Potters Guild Annual Sales. And her fellow ceramicists will never forget that while they would be cumbered with numerous heavy boxes of ware, Julie would arrive with only a big smile and a small suitcase - her Poco Pots.

Information excerpted from Roswell Daily Record/LaGrone Funeral Chapel website and interviews with family/friends, 2017


Margie Boles

Margie Boles


2019. Virginia “Penny” Devaney, 96, created the replicas of the house she grew up in, in New England, and a home she visited as a child at the Cape. She collected the furnishings at miniature shows around the country for many years but created many …

2019. Virginia “Penny” Devaney, 96, created the replicas of the house she grew up in, in New England, and a home she visited as a child at the Cape. She collected the furnishings at miniature shows around the country for many years but created many of the rugs and curtains herself. She and her work were featured in Miniature Collector Magazine in Dec of 2008. On exhibit at MCCM are: THE LEIGHTON HOUSE, a replication of a house built in 1921 in Boston, MA, from the Colonial Revival Period 1880-1955. Built by George E. Drexler for Virginia Devaney, 2000; Interiors and landscape by Virginia Devaney, 2002; and Customized 1920’s Bungalow by Lawbre, built by Virginia Devaney, 2005. Penny lived in Cedar Crest, NM, until 1996 when she moved to El Paso, TX, to be closer to her son Matthew.


LaVerne Smith, High Tea, ornate French architecture with Mansford roof, 20.5"x37"x14"

LaVerne Smith, High Tea, ornate French architecture with Mansford roof, 20.5"x37"x14"

LaVerne and Rex Smith

LaVerne and Rex Smith

Adna LaVerne Saylor Smith (1929-2016) was born in Clovis, New Mexico, attended Hardin-Simmons University in Abilene, Texas, where she met Rex Smith (who was also from Clovis) and the two were married in 1949. Loyd Rex Smith (1928-2017) died just six months after LaVerne – the two had been married 67 years! He received a business degree from Hardin Simmons.

In 1959, LaVerne and Rex moved to Roswell and founded the Colony House, a Roswell landmark for more than 50 years. There, LaVerne served many clients with her interior design skills. Many of her clients returned to LaVerne for decorating assistance, even after moving away from Roswell.

LaVerne loved dollhouses and miniatures. She was one of the founders of Los Pocos Locos, a local miniatures club, where she was known for always being available to help other members with their miniature design problems. One of LaVerne’s joys was having an adobe dollhouse which she designed and furnished and which became the subject of a book, authored by MaryLou Smith, and published by New Mexico MagazineGrandmother’s Adobe Dollhouse.

An active members of First Baptist Church, LaVerne and Rex helped restore and re-purpose the stained glass windows that had been stored away when the church moved to its new building. Well-known as a local business woman, LaVerne was the first woman to serve on the board of directors of Security National Bank of Roswell. She was also a member of PEO, Morning Garden Club, and Junior Book Club. Rex loved his dogs, buying and selling antiques, and growing houseplants on his patio.

Casa de Loma Grande, adobe by Bart Bayers, decorated by LaVerne Smith

Casa de Loma Grande, adobe by Bart Bayers, decorated by LaVerne Smith


Flo Matthews in the 1990’s

Flo Matthews in the 1990’s

Florine Newberg Hopkins Matthews, “Flo”, (1927-2020), was born and raised in Fort Worth, Texas, and in different segments of her life lived in Lovington, NM; Los Angeles, CA; Ventura, CA; and Pottsboro, TX, eventually moving to Roswell in 1982.

With a secondary education degree from Eastern New Mexico University-Portales and master degree classes in guidance and counseling, Flo’s career included working as a medical office manager, teaching high school English, implementing and managing vocational-technical program, and her last employment before retiring was managing a home owner’s association office.  

Flo had numerous skills and interests including sewing, baking/cooking, painting, photography, genealogy, golf, silversmithing, framing, piano, beading….and miniatures! She was an active member and officer of the Los Pocos Locos Miniature Club for many years and her fondness for molding, painting, wigging and dressing 1:12” scale dolls lead to many successful projects including her Gone With the Wind character dolls.

Flo’s affiliations included being a founding member of the Wilson-Cobbb History and Genealogy Library in Roswell, a member of the Rac-a-taps Dance Team – she could tap dance well into her ‘90s!-, and a founding board member of MCCM.

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2017 marked the 50th anniversary of the Roswell Artist-in-Residence Program (www.rair.org), and its alumni were being invited back to town for a huge group exhibition at the Roswell Museum and Art Center, festivities at the Anderson Museum of Contem…

2017 marked the 50th anniversary of the Roswell Artist-in-Residence Program (www.rair.org), and its alumni were being invited back to town for a huge group exhibition at the Roswell Museum and Art Center, festivities at the Anderson Museum of Contemporary, AND they received a miniature invitation to participate in a miniature museum of modern art to be built by Elaine W. Howe. Fashioned after AMoCA and including dolls of its founder Donald B. Anderson and his wife Sally Midgette Anderson, MMoMA peaked the interest of 30 former RAiRs, including contemporary miniature artist Rachel Grobstein (top right ‘gallery closed’), and five additional artists.

Gallery 1 (bottom left) Jerry Bleem, from series Oil Products, 2017, thread, woven and crocheted plastic newspaper bags; Louise Deroualle, Intangible Flow, 2017, ceramic; Yoshiko Kanai, Left Hand, 2017, pencil and watercolor on paper; Biff Elrod, A Caro Player Dream, 2017, water-based block ink, acrylic, pencil on linen; Susan Cooper, Maquette for Mexico City, 1992, wood; Claudia Bitran, winning artwork for McDonalds Art Competition, 2016, reproduction; Jeff Krueger, Lemons, 2017, wood, ceramic; Ben Woodeson, 2017, slumped glass; Heather O’Hara, grackle cards, 2017, paper; Susan Marie Dopp, 2017, mixed media; Clayton Merrell, Acid Yosemite, 2017, gouache on postage stamp; Elaine Howe, Sally doll, 2017, mixed media; Robbie Barber, Skeleton, 2016, cast bronze

Gallery 2 (bottom right) Alex Kraft, Miniature Mono-print, 2017, ceramic with glaze; Anna Hepler, The Referee, 2017, illustration board, marker; Mollie Oblinger, Stretched by Extension, 2016, MDF, wire; Corwin Levi, Ike the Ikebnasaurus Historical Recreation, 2017, polymer clay on plastic toy; Brian R. Myers, The Great Flood featuring Raven C. Myers, 2014, oil on masonite; Jerry R. West, three paintings - burrow, steer, horse, 2017, oil on paper; Bill Wiggins, Chuahuaian Desert Series, 1999, watercolor on paper; Jessica Parham, Cloud Machine, 2017, metal, acrylic, mixed media; Wayne Enstice, 2017, mixed media; Jeremy Howe, Searching for Oz, 2017, colored smoke on paper; Lucho Pozo, 2017, mixed media

Gallery 3 (top left) Gerit Grimm, Wonderland, 2010, ceramic; Susan Cooper, bench, 2017, wood

Gallery 4 (top middle) William Goodman, The Shape of Time, 2017, steel (from spray can); Janell Wicht, Open the Sky, 2017, mixed media on paper; Susan Cooper, Single, 1992, maquette for Mexico City, wood, painted by Elaine Howe, 2017; Jane Abrams, reproduction of painting; Rodney Carswell, Saucer, 2017, ink-gouache; Ven Voisey, untitled, 2017, wood, acrylic; Sue Hettmansperger, 2017, reproduction of collage; Priscilla Ornelas, HWY 70 Clouds, 2017, oil on canvas

Gallery 5 (top right) Gallery Closed, Rachel Grobstein, 2017, cardboard; Grandmother Guck, unknown title, 1982, oil on masonite

Don’s Office Elaine Howe, Don Anderson doll, 2017, mixed media; Don Anderson reproduction

Outside Topia & Gould, banners, 2017, fabric; Rachel Hayes, Maquette, 2014, plastic, wood, fabric; Miranda Howe, Eggs, 2014, ceramic